SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services
Transform raw footage into finished, broadcast-ready content. The post-production team at our company provides both technical precision and creative leadership for film and television content and digital media distribution.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
The editors at Avid and Premiere used their work with international distribution companies to transform RUV and international broadcast video content into short narrative pieces.
Visual Finishing
The Reykjavik facilities use DaVinci colorists and Nuke compositors who work with HDR and ACES and broadcast-compliant delivery systems.
Audio Perfection
The facility operates Dolby-certified mixing stages and Foley rooms and ADR booths which produce audio content for cinema and streaming and broadcast platforms.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
The editing team consists of Premiere Pro and Avid pros who have worked on commercial and documentary and feature film projects from first assembly to final picture lock.
Rough Cut to Final Cut
The editorial process has director notes and revision rounds and locked timelines which are now ready for finalization.
Narrative & Documentary
The editing process converts interview recordings and B-roll footage and scripted content into storytelling elements through story-based techniques.
Multi-Cam Sync
The process involves uniting different camera angles from concerts and panels and live events through editing to create single unified video edits.
Interview & Dialogue
Trimming pauses, smoothing jump cuts, and pulling selects from extensive interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
The process demands that you match your shots while keeping exposure levels and white point consistency for footage which comes from different lighting environments and camera systems.
Color Grading
The colorists who work with DaVinci Resolve and Baselight software use their skills to develop cinematic color schemes which include both film-like appearances and bright commercial color schemes.
Online Conform & QC
Final VFX integration with automated QC checks for broadcast-compliant delivery.
Look Development
Create pre-production LUTs and style references which will show your final look on on-set monitors.
Motion & VFX
Linked ServicesMotion Graphics
The artists who work with After Effects and Cinema 4D create lower thirds and animated sequences and infographics which air on television and appear online.
VFX Compositing
The compositors at Nuke and Fusion merge green screen elements with set extensions and invisible effects to create live-action visual effects.
CGI & 3D Animation
The artists at Maya and Houdini studio create photorealistic content which includes environments and character animation and product visualization for commercial and film production.
Title Design
Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines.
Matte Painting
The process requires artists to use Photoshop together with 3D software for building environment elements and sky background replacement and set expansion from recorded live-action scenes.
Rotoscoping
Users need to remove actors and unwanted elements from each frame during the process of hand-tracing mattes for complex composites.
Audio Post
Linked ServicesSound Design
Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.
Foley Recording
Reykjavik Foley recorded all on-screen sounds including footsteps and cloth movements and prop noises which exactly followed the movie actions.
Dialogue & ADR
Production audio cleanup, dialogue replacement, and Icelandic/English lip-sync recording.
Music & Scoring
Original compositions from Icelandic composers, plus library music supervision and sync licensing.
Mixing & Mastering
Pro Tools mixing on Dolby-certified stages with broadcast-compliant loudness metering.
Immersive Audio
The audio content includes Dolby Atmos mixes together with 5.1 and 7.1 audio formats which support theatrical and streaming and broadcast delivery with exact object and bed placement.
Audio Restoration
iZotope and Cedar processing to remove hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
The system provides digital cinema packages which include encryption and KDMs and ingestion testing for both Icelandic and international theater operations.
Broadcast Delivery
Masters meeting RUV, Stod 2, and EBU R128 specifications with full QC reports.
Streaming Platforms
Netflix, Amazon, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements.
Archival & Preservation
LTO tape archives, checksummed backups, and preservation masters for long-term asset protection.
Format Conversion
The system performs transcoding operations between ProRes and DNxHD and H.264/265 and legacy formats while it handles frame rate and resolution modifications.
Why Fixers in Iceland
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Broadcast-compliant workflows meeting Netflix, BBC, and major platform specifications.
02.
Fast Turnaround
Expedited delivery options with 24/7 support for tight deadlines and urgent projects.
03.
Creative Partnership
Collaborative approach working closely with directors and producers to realize your vision.
04.
End-to-End Service
Complete post-production pipeline from ingest to final delivery under one roof.
On Location
Iceland Post-Production From Cut to Delivery
Here is how this works in practice. Footage shot across Iceland — from the geothermal steam vents of the Golden Circle to the sweeping lava plateaus east of Reykjavík — carries distinctive visual qualities that reward careful post-prod handling. Our post-prod team works with editors, colorists, and audio pros who know how raw material captured in the country's different and fast shifting light should be shaped into broadcast-ready content. We support projects through each stage from assembly to final output, keeping the visual and sonic integrity your production needs across the pipeline.
Reykjavík editors and colourists protect what the camera saw at Jökulsárlón — Arctic light, volcanic black, midnight sun — all the way to final master.
Here is the short of it. Our Video Editing service handles everything from Rough Cut to Final Cut, with dedicated workflows for Narrative & Documentary material as well as Multi-Cam Sync projects. Color fix and Grading pros calibrate shots captured in Iceland's high-contrast outdoor environments — balancing the cool Arctic tones, volcanic blacks, and vivid greens that define the landscape. Where dialogue recorded on location needs refinement due to wind or site-level noise, our audio post team supports the picture cut with the tech precision that broadcast and streaming delivery demands.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
Here is how this works in practice. The entire process starts with dailies which continue until the final delivery stage. The editing process takes place offline through Avid or Premiere before moving to online conform for VFX integration and DaVinci color sessions and Pro Tools sound editorial with Foley and ADR when needed and ending with a final mix on a stage that has been calibrated. We handle all the tech handoffs so you're not managing separate vendors. Deliverables come QC'd to spec—whether that's a Netflix IMF, a RUV broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
Here is the short of it. The offline lock period for commercials runs from 2-3 weeks until the project finishes its final stage. The production timeline for documentaries spans eight to twelve weeks because it depends on the amount of work needed to clear archives and conduct interview transcription. The development process needs 16–24 weeks for projects that have substantial visual effects work but the length becomes shorter for other types of projects.'s dialogue-driven. We've done emergency turnarounds when festival deadlines loom, but those cost more and burn people out. Better to build realistic schedules from the start.
Do you handle international deliverables?
Here is the breakdown. Daily. The many streaming sites need their own tech specs because Netflix needs IMF packages with specific audio channel arrangements but Amazon follows its own quality review process and Apple TV+ needs Dolby Vision support. We stay today's on all of them. For broadcast, we deliver to EBU R128 loudness standards that Icelandic and European channels need. The testing process for Cinema DCPs takes place on theater servers which we use before starting the delivery process.
Can you match existing looks or brand guidelines?
Here is what that looks like on the ground. The colorists at our studio use LUTs and CDLs and reference stills for their work which has both season matching and brand consistency upkeep and director reference look duplication. The suite gives monitors which have been calibrated to create proper viewing conditions for delivering an authentic theater experience of your OK'd content. The team creates show LUTs for series work which stay steady between different episodes and seasons.
What formats can you work with?
Here is how the picture comes together. Everything today's: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, ProRes in all flavors. We've also dealt with legacy formats when archive material enters the cut—digibeta, HDCAM SR, even film scans. The Reykjavik facilities we work with keep both modern infrastructure and the older decks for when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project and we'll deliver broadcast-ready masters on time and on budget.