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Strasbourg Petite Iceland - filming location in Iceland

SCENE 01 / BOOM MICROPHONES

Boom Microphones

Professional shotgun microphones and boom equipment for your Icelandic production.

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Here is how this works in practice. Boom microphones are key for capturing clean dialogue and ambient sound on set. These directional microphones, mounted on extendable poles, allow operators to position the mic close to talent while keeping it out of frame, delivering focused audio pickup with minimal background interference.

Here is the short of it. We give access to a range of pro boom microphone systems. This includes shotgun mics, hypercardioid capsules, and lightweight boom poles suited to your shooting conditions. Our team sets up delivery and backup gear to keep your sound department operating smoothly across production.

Capabilities

Boom Equipment

Industry-standard shotgun microphones, professional boom poles, and complete accessories.

Professional Boom Solutions

Capabilities

50+
Shotgun Mics
40+
Boom Poles
All
Major Brands
24/7
Support

Our Process

1

Sound Requirements

Knowing your production's dialogue recording needs, locations, and acoustic challenges.

2

Equipment Selection

Recommending the optimal microphones and accessories for your specific shooting conditions.

3

Prep & Testing

Thorough testing and preparation of all boom gear before delivery to your production.

4

Production Support

Tech support and backup gear ready across your shoot.

On Location

Capturing clean dialogue on a boom in Iceland means defeating the wind that scours Reynisfjara, the spray drifting off Dettifoss and the cold that stiffens cable and pole alike.

Here is how this works in practice. Our team supplies boom microphone packages chosen for the locations on your schedule, not generic kits. That means industry-standard shotguns paired with the right windshielding for the day: full blimp-and-fur systems for exposed exteriors on the Snaefellsnes peninsula or the Highlands, lighter setups for sheltered interiors in Reykjavik. We give carbon boom poles in lengths from compact interior models to long exterior reach, with internal cabling to keep handling noise down when an operator is fighting gusts.

Here is the short of it. Boom stock comes from the skilled the capital rental base. For large units we supplement capsules, poles, blimps and spare windjammers from suppliers in the UK and mainland Europe under ATA carnet, since Iceland is outside the EU customs union. Each microphone is bench-tested and each shock mount and connector checked for cold-weather brittleness before it leaves us. We carry redundant capsules and fur covers because a torn windjammer on a remote Ring Road location can cost a day. We stay reachable for swaps across the shoot.

Here is the breakdown. Wind is the defining factor for boom work in Iceland. A subarctic, maritime island on the Mid-Atlantic Ridge, it has famously fast-changing weather: a calm interior setup near Myvatn can become an exposed gale within an hour, and the black-sand beaches at Reynisfjara, the cliffs of the Snaefellsnes peninsula and the open Highlands at Landmannalaugar give almost no natural shelter. Blowing volcanic grit can work into capsule baskets. Glacial meltwater near Jokulsarlon and Vatnajoekull is a constant hazard for pole electronics.

Here is what that looks like on the ground. Waterfalls such as Gullfoss, Skogafoss and Godafoss create both spray and a wall of low-frequency noise that a boom operator must work around. Productions including 'Prometheus', filmed at Dettifoss, and 'Game of Thrones' have captured sound across exactly these conditions. Summer shoots gain near-24-hour daylight under the Midnight Sun, while winter work compresses into short low-light days, so efficient, weatherproof boom kit keeps the sound department moving.

FAQ

Frequently Asked Questions

Which shotgun mic do you recommend?

Here is the breakdown. The Sennheiser MKH 416 stays the industry standard for its versatility and reliability in many conditions. For quieter interiors, the Schoeps CMIT 5U gives top clarity. The Sanken CS-3e is great for reducing off-axis noise in challenging locations.

What boom pole lengths are available?

We stock boom poles from 2m to 6m in many configurations. Most shoots use 3-4m poles for standard work. We recommend K-Tek and Ambient poles with internal cable routing for clean, pro operation.

What wind protection do you provide?

We give complete windscreen systems from Rycote and Cinela suitable for any conditions—from light interior air movement to heavy exterior wind. Our kits have appropriate fur covers for the conditions you'll encounter.

Can you provide complete boom kits?

Yes, we give fully equipped boom packages including microphone, pole, shock mount, windscreen, cables, and all needed accessories. Kits are prepped and tested before delivery.

Do you offer backup equipment?

Yes, we recommend and can give backup microphones and key accessories for longer shoots. Having backup gear protects your production against any gear issues.

What about interior vs exterior mics?

While some shoots use different microphones for interior and exterior work, modern shotguns like the MKH 416 and CS-3e perform well in both environments. We can advise on the best way for your specific needs.

Productions in Iceland that need this often pair it with Location Sound Packages, Wireless Systems, and Wireless Microphone Systems for full coverage. Most projects also draw on Camera Equipment Rental and Boom Operators.

On Set

Need Boom Equipment?

Tell us about your sound requirements and we'll provide the right boom package.